Articles by Kit Stolz
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Cutting-edge nature writer discusses … nature
Jenny Price is a nature writer, but unlike most of the species, she insists on writing about nature as it actually exists in our lives. If that means writing about plastic pink flamingos and concrete-bound rivers, well, that's the nature we see in the 21st century.
Her recently published dissertation from Yale is the remarkably light and witty Flight Maps. On the site L.A. Observed, she has a popular guide to half-secret access routes to the beaches of Malibu. For The Believer, she recently wrote a spectacular essay on the Los Angeles River, and last month published a tribute to the late, great plastic flamingo for The New York Times ($) that concluded: "Rest in peace, my pink plastic friend. It was fun while it lasted."
She is a Guggenheim fellow whose writing takes chances, and can open minds. For Grist, she graciously consented to an interview via email, which went back and forth for nearly two weeks. Take a look:
Kit Stolz: Last month the Union Products factory that has been making the plastic pink flamingo for nearly fifty years shut down, and the inventor Don Featherstone said he thought his creation would soon become extinct. Can we use that word for something that was never alive in the first place?
Jenny Price: Well, I think it's more accurate to say it's stopped reproducing.
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They’re getting nervous
When it comes to global warming, Andrew Revkin of The New York Times is without peer at clarifying the science and Elizabeth Kolbert of The New Yorker is the scariest writer in the land.
But this year, The Washington Post established itself as the newspaper best at showing us how global warming is happening right now, with superb articles on the alarming spread of the mountain pine beetle, on changes in the movements of butterflies, polar bears, and mountain water sources, on energy producers ready for regulation of carbon emissions, and this past weekend a major story on how the insurance industry has changed its attitude about homeowner policies in Florida and along the East Coast, thanks to global warming.
Joel Garreau is not the first reporter to cover the story, but his story -- "A Dream Blown Away" -- brings it home with more clarity and verve than any in memory.
To wit:
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Washington Post says so
That's the underlying message from two remarkable stories published this weekend in the Washington Post.
On Saturday, Steven Mufson and Juliet Eilperin reported that "top executives at many of the nation's largest energy companies have accepted the scientific consensus about climate change and see federal regulation to cut greenhouse gas emissions as inevitable."
They include a great quote from Duke Energy executive John Stowell:
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Is Western time on the outs?
"The clearest way into the Universe is through a forest wilderness," wrote John Muir (in a posthumous collection of his notes called John of the Mountains).
Yes, but why? Why does a wild forest take us into the universe more surely than the open sea? Or a vast metropolis teeming with people?
This month in Orion, critic and novelist John Berger takes a crack at that question in an essay called "Between Forests" (not online, unfortunately). Berger takes the forest photographs of Czech photographer Jitka Hanzlová as a point of departure. A glance at one of Hanzlová's mysterious photographs from her Forest series gets across Berger's essential point -- they have been taken "from the inside" of the forest. He writes: